Julie Blackmon

EscapeIntoLife_Julie _Blackmon-1Tippee Cup, 2005

EscapeIntoLife_Julie _Blackmon-2PC, 2005

EscapeIntoLife_Julie _Blackmon-3American Gothic, 2008, archival pigment print, 31 3/4 x 42 5/16 

EscapeIntoLife_Julie _Blackmon-4Dinner Party, 2005

EscapeIntoLife_Julie _Blackmon-5Queen, 2010

EscapeIntoLife_Julie _Blackmon-6Camouflage, 2006

EscapeIntoLife_Julie _Blackmon-7Green Velvet, 2007, archival pigment print, 22 x 22 1/16

EscapeIntoLife_Julie _Blackmon-8Time Out, 2005, archival pigment print, 22 x 22 in.

EscapeIntoLife_Julie _Blackmon-9Family Portrait, 2007, archival pigment print, 22 x 22 in.

EscapeIntoLife_Julie _Blackmon-10The After Party, 2010

EscapeIntoLife_Julie _Blackmon-11The Hill, 2006

EscapeIntoLife_Julie _Blackmon-12Powerade, 2005

EscapeIntoLife_Julie _Blackmon-13High Dive, 2010

EscapeIntoLife_Julie _Blackmon-14Lost Mitten, 2011

EscapeIntoLife_Julie _Blackmon-15Sharpie, 2011

Artist Statement about the Domestic Vacations series

The Dutch proverb “a Jan Steen household” originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings.  The paintings of Steen, along with those of other Dutch and Flemish genre painters, helped inspire this body of work.  I am the oldest of nine children and now the mother of three.  As Steen’s personal narratives of family life depicted nearly 400 yrs. ago, the conflation of art and life is an area I have explored in photographing the everyday life of my family and the lives of my sisters and their families at home.  These images are both fictional and auto-biographical, and reflect not only our lives today and as children growing up in a large family, but also move beyond the documentary to explore the fantastic elements of our everyday lives, both imagined and real.

The stress, the chaos, and the need to simultaneously escape and connect are issue that I investigate in this body of work.  We live in a culture where we are both “child centered” and “self-obsessed.”  The struggle between living in the moment versus escaping to another reality is intense since these two opposites strive to dominate.  Caught in the swirl of soccer practices, play dates, work, and trying to find our way in our “make-over” culture, we must still create the space to find ourselves.  The expectations of family life have never been more at odds with each other.  These issues, as well as the relationship between the domestic landscape of the past and present, are issues I have explored in these photographs.  I believe there are moments that can be found throughout any given day that bring sanctuary.  It is in finding these moments amidst the stress of the everyday that my life as a mother parallels my work as an artist, and where the dynamics of family life throughout time seem remarkably unchanged.  As an artist and as a mother, I believe life’s most poignant moments come from the ability to fuse fantasy and reality:  to see the mythic amidst the chaos.

Julie Blackmon’s Website

Julie Blackmon at Edelmann Gallery

Julie Blackmon at Fahey/ Klein Gallery

posted by Carmelita Caruana

2 responses to “Julie Blackmon”

  1. love the narrative quality to these and would love to see something like this submitted to Blue Lyra Review!

  2. C CARUANA says:

    It’s arresting isn’t it, glad you appreciate this work!

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