Taken from Article:
François-Xavier Lalanne, whose menagerie of surrealistic animal sculptures included a cast-iron baboon with a fireplace in its belly, giant turtledoves that doubled as armchairs and a herd of topiary dinosaurs, died on Dec. 7 at his home in the village of Ury, south of Paris. He was 81.
A painter by training, Mr. Lalanne created his own brand of surrealism when, in 1964, he unveiled “Rhinocrétaire,” a life-size Annam rhinoceros, whose side folded out into a writing desk. Endlessly inventive, he generated a zoo’s worth of animals in the decades that followed: a “landscape fish,” designed for the outdoors, with a rectangular hole in the middle that framed the natural scene like a painting; a giant fly, executed in brass, steel and porcelain, which did double duty as a toilet; and, most famous of all, 24 sheep covered in genuine sheepskin; some had faces, others were shaggy bolsters that stood on sheep legs.
He wanted, he once said, to bring the notion of usefulness to sculpture and to demystify art, which he regarded as a funhouse rather than a cathedral. Hence the sheep. “Just the fact that you can squat on it reduces the risk of this inappropriate devotion,” he once said.
Mr. Lalanne was born in Agen, in southwestern France, and received a Jesuit education. At 18 he moved to Paris and enrolled in the Académie Julian, where he studied drawing, painting and sculpture. After completing his mandatory military service he rented a studio in Montparnasse, next to that of Constantin Brancusi, who was a decisive influence on his work. (NY Times)
François-Xavier Lalanne on Artnet
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