Christine Klocek-Lim
How a moth flies into a poem
 Inevitably she is driving
 when it happens—
 a poem moves inside her like moth wings.
 The horn coughs as she struggles
 to shape words on the steering wheel,
 flutters her pencil’s point
 against a crumpled grocery list.
 Other drivers think she’s on the phone,
 her car erratic, swooping for the flowers
 at the side of the road.
 But the wobble is from the poem
 twitching as it tries to fly
 within her body:
 wings sticky with verbs,
 her diaphragm tickled with nouns
 that won’t settle or fly off
 while in front of the car the horizon
 slices her destination into stanzas,
 breaks her heart into pieces
 of moth-sparked air.

 How to read a poem
 Some words are more important
 than others: disquietude, adoration,
 despondency. Others are translated
 over and over. The Yanomami
 know that shabono means home.
 Infants cannot speak but know
 the word for heart as if it were magic.
 And here in the stark middle
 of adulthood, home and heart
 still seem remarkable, necessary
 even. The home is the heart
of everything my bookmark says
 from its place between two poems
 that witness the indescribable.
 These are the words the heart knows
 are needed. This is the sound the fingers
 make as they turn the pages again and again,
 needing a way to spell magic in a thousand
 different tongues.

This is not a poem
 It is a window. It is an archway
 between one room and another.
 It is the dust that flees
 from the cleaning cloth.
 It is the voice of a memory:
 your grandmother’s heavy tread
 as she cleaned in the hall
 in winter.
 This is not a poem because
 there are too many snowflakes.
 Dust lies complacent on a cloth,
 discarded in the other room
 like a sign of peace.
 It is odd that the snow
 has paused in the door’s arch
 like a heavy footstep
 or a memory.
 This is the sound of your child
 asleep in a clean room.
 Snow has starred
 the windows like dust.
 It is dark now, but this is not
 a memory to be wiped clean.
 No, it is a new door, opened
 and forever ajar like an archway
 that is not a poem.
[First appeared in The Guardian, Jane Duran’s “Opposition victories” Workshop]
https://www.theguardian.com/books/2006/apr/10/poetry 

 The solace of poetry
 Your letters sprawl over open spaces,
 prairies of considerate emptiness,
 the sky poised and patient.
 Here your steady hand threads
 winter’s last breath into the relaxed
 crease of a stanza. There the white pause
 of a line sighs in understanding
 before the next rolling hill splays
 its verbs open with a single,
 graceful movement.
 This is the language that gallops
 over the slow rise of horizon
 before sliding into the black shoulder
 of a mountain. Even the most frightened
 trees are comforted as the poem
 runs beyond the expected,
 until the last residue of color
 fades in the inevitable dark.
 At the end of your poem is eternity.
 I don’t know how to inhale
 the infinitesimal breath of this noun,
 its portent of indelible realization.
 It is like the clouds that remake the world.
 It must be read over and over until the difficult
 tempest of language is fastened to the skin,
 until blindness disappears in the quiet rumble
 of the hill’s deep voice.
 And because a poem is useless
 without conflict, yours has its share
 of death and the awkward movement
 from one person to another.
 But the butterflies have all stilled for tonight.
 Your words seep into the deep bloom
 of the dark while Mars and various stars
 shiver overhead. I stretch my fingers
 into the unbridled growth of ivy and consider
 the solace of poems, so necessary against the warm
 and familiar edge of sleep.

  Christine Klocek-Lim is an editor, novelist and prize-winning Pennsylvania poet who received the 2009 Ellen La Forge Memorial Prize in poetry. Her work has been nominated for the Pushcart Prize and was a finalist for 3 Quarks Daily’s Prize in Arts & Literature, among others. She has written for Nautilus and is the author of one full length poetry collection, Dark Matter (Aldrich Press, 2015). She is the editor of Autumn Sky Poetry DAILY and is an Acquisition Editor for Evernight Teen and Evernight Publishing.
Christine Klocek-Lim is an editor, novelist and prize-winning Pennsylvania poet who received the 2009 Ellen La Forge Memorial Prize in poetry. Her work has been nominated for the Pushcart Prize and was a finalist for 3 Quarks Daily’s Prize in Arts & Literature, among others. She has written for Nautilus and is the author of one full length poetry collection, Dark Matter (Aldrich Press, 2015). She is the editor of Autumn Sky Poetry DAILY and is an Acquisition Editor for Evernight Teen and Evernight Publishing. 
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Yes, often while driving, needing to repeat the line over and over to myself until I can pull to the side of the road and scribble it down. Or, at church, while I root through my purse for a pen and surreptitiously record the elusive line,
while the sermon drones on…yes, yes, I understand. I love your poems!