“You struck nearer home with your aversion to my writing and to everything that, unknown to you, was connected with it. Here I had, in fact, got some distance away from you by my own efforts…….”

At a certain point in his life as an artist, Salvador Dali fused two modes of painting that at first glance appear to be incompatible.

The world of David Lynch’s great 1977 film Eraserhead is, before anything else, a world of extremes: extremes of image, situation and sound which together evoke extremes of feeling, whether of alienation, revulsion or even of laughter.

One day in the year 1912 an unknown thief entered St. Joseph’s Hospital in Chicago and broke into a locker holding the possessions of a twenty-year-old janitor named Henry Darger. A photo of five year old Elsie Paroubek, which Darger had torn from a newspaper, was amongst the items taken.

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