Threads of light, tracers, link and follow the dancing couple as they interact with a full-stage screen of dazzling digital patterns — pinstripes, pixels, lines that bend and billow like flexible needles, sprays and whorls, galaxies streaming into a black hole. It makes for a brilliant spectacle. – Sunday Times Review of “Apparition” live performance.

Inhabiting the border between straight photography, performance and sculpture, Hooft Graafland’s photographs are records of her highly choreographed live performances in the salt deserts of Bolivia, the Canadian and Finnish Arctic, and rural China. Fascinated by the surreal beauty of the harsh natural landscape she utilises this as her canvas.

The theatrical self-portraiture of Argentinian Paula Herrera Nobile

Miwa Matreyek creates performances where real shapes and virtual images trade places, amid layers of animation, video and live bodies.

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