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    LETHE:  Book One

    (full copy available on request)






    The Bathroom

    Rose never told anyone why she was always in the bathroom—her husband assumed that her
    “difficulties” originated in the distant past.  She had been married for twelve years before she met the
    Doctor, and that was nearly a life-time ago when she lived in a cramped city apartment without any
    privacy.  Not until she moved into the house in Barclay Park, with a spacious marble bathroom all her
    own, was Rose finally able to have a moment of peace.

    And these moments came frequently.  Something went off in her mind, like a trigger, that told her she had
    to go, she had to go.  Rose hurried to the bathroom, remembering that she shouldn’t hurry, because just
    last week she fell and bruised her upper thigh on the hard marble tiles.  Her fingers reached for the edge
    of the vanity top as she sidled her way to the toilet.  Once she was safe inside the little chamber, behind
    the fogged glass door, Rose tried to shut everything out of her mind.  She tried to relax.  And sometimes
    she fell into a state of deep concentration, wherein the magazine rack on the wall, the toilet paper
    dispenser, and the little chamber itself disappeared.  During these moments, she was absolutely alone,
    and the noises that had been eddying around in her mind all day long, became suddenly still.  Then she
    would hear a quiet sound, like a stream, flowing directly beneath her.

    But nothing ever seemed to come out.  (Sighing.)  Her focus continued—and she could almost feel
    something giving way—but no, there was nothing.  Her imagination was deceiving her again.  She
    always thought that she had to go to the bathroom.  Maybe it was just another false alarm.  She waited.  
    Ten minutes longer.  Twenty minutes.  She picked up a magazine, Reform Judaism.

    Rose’s bathroom looked like one of those grottos in the South of France where sunlight peeps in through
    a crack in the cave and reflects off the crystal ponds inside.  Orchids and azaleas were set in brass at
    the foot of the oversized marble Jacuzzi.  Bonsai plants sat on high nooks.  The polished floors were
    grey and glistening, and mirrors gave the illusion of infinite space.    

    Despite the splendor and security of Rose’s bathroom, every so often her son, Lethe, tramped inside,
    busted open the fogged glass door, and saw his mother’s naked thighs wedged over the toilet seat.  
    Startled by her son’s intrusion, Rose flexed the great wing-shapes of her arms.  Don’t you dare come in
    here Lethe Bashar—she spat out at her son, shooing him away with her large, flapping arms.  Don’t you
    dare, don’t you dare.  Leave Mommy alone.  I said I’m busy.  Leave me alone.  



    Lethe reads with his father

    Expelled from his mother’s bathroom, Lethe retreated down into the basement where his father sat in his
    pinewood study, skimming medical journals and examining X-Rays or speaking into a voice-recorder.  
    His father’s study was the size of a guestroom, with an Italian leather sofa, a large hardwood desk and a
    New World globe poised on a wrought-iron stand.  Four columns of bookshelves filled with
    encyclopedias, history books and a collection of leather bound Classics, extended across the walls on
    each side of the room.

    Lethe’s father held X-Rays up to the light as he identified the different types of bone fractures and jotted
    down some notes.  When Lethe stormed into his private study, he beckoned him closer with an
    outstretched arm, and the little boy nestled his head into the side of his father’s ribs.  While Lethe could
    be restless at times, his father knew how to tame him by applying a small pressure to the nape of his
    neck.  Feeling the pinch of forefinger and thumb, Lethe squirmed to get away.

    “I heard your mother screaming.”

    Lethe’s eyes grew big and expressionless.

    “Were you bothering her again?  You know you’re not supposed to be in her bathroom.  Lethe?  Are you
    listening to me?  Do you want to read now?”  Lethe’s father bundled him into his arms.

    “Gulliver’s Travels, Gulliver’s Travels.”  The boy’s high-pitched voice rang out.

    Together they sat on the Italian leather sofa and exchanged turns reading from Swift’s masterpiece.  The
    Doctor had a passion for literature, and young Lethe watched his father’s face change expression, his
    voice become fantastical and dreamy.  

    “Very good, very good.  Continue.”  He patted his son on the head.

    Sometimes after finishing a chapter, the Doctor digressed into a story about the country where he was
    born.

    “No, I want to read more Gulliver—”

    Again the Doctor affectionately pinched the nape of his son’s neck, and young Lethe responded by
    sinking back into the leather sofa.

    “Do you know why they call Iraq the ‘the cradle of civilization’?”

    The little boy shook his head, angling his eyes to the closed book on his father’s lap.  “You told me this
    story already—”

    “Iraq is called ‘the cradle of civilization’ because that’s where civilization began.   The soil was rich
    between the Tigris and the Euphrates rivers.  It was good for farming so people settled around these
    areas and built villages.”

    The boy didn’t seem to be listening.  “Tell me about Grandma.  I want to hear the story about Grandma.”

    “That’s fine.  I’ll tell you the story about Grandma.  But tomorrow night we’re going to talk more about Iraq’
    s history.”

    Lethe mashed his lips together.

    “You can’t ignore history, little man.  History is bigger than you think.  It’ll eat you up when you’re not
    looking”

    The boy was silent.  “I want to hear the story about when Grandma used to take you to all the different
    people’s houses.”

    “That’s fine.  But you’ll have to promise to go to sleep after that.”

    “I promise—did you live in a big house when you were my age?”

    “Yes we lived in my Grandfather’s house and there were ten of us.”

    “You said it was a mansion.”

    “Yes, it was very big.”  



    Housecleaning

    After his marriage to Rose, the Doctor bought a big white house for his wife and children to live in.  Rose
    adored this two-story modern house and it was her obsession to make sure it never fell into a state of
    disorder.  Depending on whom you asked, some said that Rose’s need to keep her house spotlessly
    clean was a neurosis, while others upheld that Rose simply enjoyed having a clean house, or that she
    was a perfectionist with high standards.  With the exception of the Doctor’s pinewood study, everything
    in Rose’s house conformed to white or marble.  Rose was preoccupied with the appearance of her
    house.  Hidden spots of dust and dirt threatened her household ideal, reminding her of her previous life-
    time when she lived in a cramped city apartment.  Every morning she walked through the halls, searching
    for fingerprints her two children may have left during the night.  

    Housecleaning was an activity that had to be engaged on many levels.  There was the weekly scouring of
    the house—and there was the regular, daily cleaning.  A grey van packed with Polish and Slavic ladies
    arrived at Rose’s house every Thursday morning to accomplish the former of the two missions, which
    entailed bleaching the grout between the tiles, cleaning out the refrigerator, vacuuming all the rooms,
    cleaning mirrors, wiping windows, polishing cabinets, and various other jobs that are too numerous and
    picayune to list here.  The battalion of cleaning ladies was distinct in purpose and duty from the two
    regular housekeepers who also acted as nannies.  In accomplishing her vision for a clean house, Rose
    wanted two women who could act as her right hand men.  

    Dora broke stride down the tiled hallway nearly twenty times a day.  Her tall, lanky build and vigorous arm
    movements resembled the idiosyncrasies of the ostrich.  The brunt of the work fell on Dora, who was
    younger than Mabel, and who strove to meet Rose’s often unreasonable demands for a clean house.  
    She also worked in Rose’s art studio, building frames, stretching canvases, and banging nails into
    wooden beams.  Often Dora and Rose worked side-by-side, whether they were scrubbing floors or
    cleaning paint brushes.  

    In addition, Dora and Mabel made the beds, changed the sheets, tidied the bedrooms, did the laundry
    and dusted the blinds.  They also emptied the garbage cans, watered the plants, did the grocery
    shopping and made school lunches.  On most days, they also prepared dinner.  After a day’s worth of
    cleaning, the house looked completely anonymous, and Lethe and his sister had the strange impression
    they were staying in a hotel.  Their rooms were in perfect order—the only thing missing—a mint on their
    pillows.  



    The Obsessive Artist

    Lethe and Mazzy saw that their mother escaped downstairs into the basement and sometimes did not
    return to the upper floor until the next morning.  During Rose’s stints of oil-painting, the housekeepers
    took care of the children, preparing Macaroni and Cheese dinners, or helping Lethe and his sister with
    their homework.  

    Rose worked tirelessly in her art studio, making numerous sketches, arranging scenes for her models,
    and hovering anxiously over a large commercial easel.  Night and day, the glare of extension lights
    reflected off the walls in a harsh, artificial brightness.  An old wine box overflowed with tubes of oil paint,
    and horsehair brushes soaked in turpentine.  Open cans of solvents and paint thinners gave off a
    burning, astringent odor that lingered in the air and made your eyes water.  

    In the corner of the room, a breakfast scene was erected with a small table, chairs, and a television.  
    Mabel and her husband, Ernie, modeled for Rose.  Mabel was a small woman with curly, white hair.  Her
    husband, an ex-truck driver, had round shoulders and a large, sedate body.  In the pictures, Mabel
    usually stood beside her husband nervously, tentatively, either fixing the breakfast or getting ready to
    leave the house.  Ernie, in contrast, was always eating at the table or napping in a wingback chair.  Rose
    used lots of props in her paintings, some of them incongruous with the scene itself.  Scattered across the
    floor of her studio were the objects she had collected over the years, African tribal mask, ceramic owl,
    mannequin, gas mask, snake cage and sailor’s trunk.  In the background of Rose’s paintings, we see
    two geese hissing at each other.  Flocks of Canadian geese lurked around the perimeter of a nearby
    lake and wandered into the residents’ lawns.  From her studio-window, Rose looked out at the ill-
    tempered birds, and they came to hold a symbolic meaning for her.  

    In the beginning, Rose’s desire to paint was completely alien to her husband.  He had never met an artist
    before nor did he know what motivated a person to want to create art.  He saw his wife’s painting as a
    diversion, a hobby at best.  When she transformed one of the rooms in the basement into an art studio,
    he raised two concerns:  (1) Rose was becoming obsessed with painting and (2) She was neglecting
    her duties as mother and housewife.  

    And then, Rose began the habit of “dressing up”.  When the Doctor came home one night, he found his
    wife wearing purple tights, a white and black striped pullover and a red silk opera hat.  She had painted
    her face white with black teardrops under her eyes.  

    The Doctor exclaimed, “Honey, you look silly with that outfit on.  Why don’t you go take it off?”

    “After dinner—” she replied.

    “But we’re eating as a family and you look like you’re in Vaudeville.”

    Rose’s silverware fell to the floor—

    She stood up in front of her family.  Lethe and his sister were watching intently.  The Doctor looked
    alarmed.  

    Using hand gestures, Rose pretended to be trapped inside an invisible box.  She struggled and
    struggled to get out of the box.  Her eyebrows flew up into her forehead and her small pupils became
    frantic.  The two siblings broke into a fit of giggles.  The Doctor stared at his wife, blankly.



    Christ Church of Barclay Park

    In the beginning, Rose went to church only to please her husband . . .

    The Christ Church of Barclay Park, a non-denominational Christian church, received a large amount of
    charitable funds from the wealthy members of the surrounding area.  The result of so many donations
    was a beautiful sanctuary that held over five hundred people, with pews of dark mahogany, royal blue
    carpet, and a panorama of stained glass windows.  The stage of the chancel was divided into three
    sections.  On the far left of the stage, the choir’s high pews; in the center of the stage, a small baptismal
    altar; off to the right of the stage, a leafy alcove with giant Roman candles in gold stands.  This is where
    the Reverend and the senior Pastor sat during the service.  To give his sermons, the Reverend had to
    ascend to the pulpit.  The pulpit, a work of art in itself, was an engraved block of wood representing
    scenes of the Resurrection and had been commissioned by the Church Elders.

    Occasionally, she had panic attacks.  The Church in these moments took on a sinister aspect, and she
    felt, among the hordes of Christians, as if she were suffocating.  She stood up in the pew, facing the
    congregation.  The mottled faces seemed to be staring at her with a uniform look of disapproval.  She
    scrambled out of the aisle, stepping over people’s feet in her haste.  The Doctor called out to his wife
    and began following after her.  

               They stood in the empty hallway outside of the sanctuary.  “What’s wrong?” the Doctor asked.

               Rose’s face was flushed.  “I can’t sit in there.”

               “Why not?”  

               “I’m uncomfortable.”

               “Why are you uncomfortable?”

               “You’re pressuring me to be here.  I’m Jewish.”

               

    The Reverend and Rose meet

    At times, Rose’s “neurotic” behavior was simply baffling to her husband.  He couldn’t understand how
    such a compassionate environment could excite such hysterical emotions in a person.  He spoke to the
    Reverend in private about his difficulties with his wife, stressing the importance of raising their children
    Christian.  In a calm, self-assured voice, the Reverend told the Doctor not to worry.  He asked the Doctor
    to arrange a meeting where he could sit down with Rose and discuss spirituality.  

    The living room, beige carpeted with curio shelves and a white grand piano near the window, was rarely
    used.  Rose asked the members of her family, in fact, not to go into the living room.  The room was
    meant to be on display.  It was in this room, however, that Rose and the Reverend “discussed
    spirituality”.  Surprisingly, she was not averse to meeting with the Reverend.  They sat next to each other
    and Rose inhaled the Reverend’s cool scent of aftershave and peppermint Listerine.  He told Rose
    about his Dutch-Reform upbringing, his years as a Pastor in a small rural church, and then recently about
    coming to the Christ Church of Barclay Park.   

    He reminded her of her own father, who had died many years ago.  Her father had been a man of quiet
    sincerity and she remembered him like an angel.  The Reverend also seemed to carry that gentle
    bearing.  Both men had clear blue eyes and a soft countenance.  Rose smiled at the Reverend’s good-
    natured jokes and was enamored with his soft-spoken eloquence.  He helped her to forget about her
    negative experiences in the Church.  Before their meeting ended, Rose got the idea to paint the
    Reverend’s portrait.

               “My portrait?”  The Reverend asked, surprised.

               “Why not?”  Rose said.  “If you’re willing to sit for me, I’m willing to paint you.”

               “Well, I suppose we could give it a try.  We might even be able to hang it in the Church.”

    Rose was excited to paint the Reverend’s portrait.  Her eyes lit up when he mentioned hanging the
    painting in the Church.  She knew that the Reverend was an important member of the community and
    that a portrait of him could bring her recognition.  The next week, having regained her self-composure,
    she returned to church with her family.



    The Doctor’s Christian Revival

    During church service, the Doctor stole a loving glance at his wife.  He was grateful that Rose was
    coming to church with him and hopeful about her new affinity to the Reverend.  More than anything else,
    he wanted his wife to become a Christian like himself and to feel comfortable in the Church.  He basked
    in the lofty ideal of family happiness, imagining that the four of them would share a sacred bond, husband
    and wife, son and daughter; together they would be as one.

    He was also captivated by the hospitality of the church atmosphere, and since he had left Iraq, he felt
    part of a community.  He enjoyed rubbing elbows with the sociable members; after service he engaged
    in fellowship as the congregation funneled into the large central meeting area, where coffee and donuts
    were served.  There was always a line of parishioners waiting to share a word with the Reverend and the
    Doctor stood in this long line because he wanted to thank the Reverend for reuniting him with his wife,
    and bringing her into the open arms of the church.  

    Now that his wife was attending regularly, the Doctor felt a need to participate more in church life.  During
    the three months that Rose was painting the Reverend’s portrait, he signed up for a church retreat, went
    to weekly Bible studies and enrolled in a family values seminar.  He also registered his son and daughter
    to take confirmation classes.  

    The Doctor’s enthusiasm for church was sharply curtailed by his twelve-year old son’s unabashed refusal
    to obey his father’s orders.  This caused a great uproar in the Bashar house.  Almost overnight, Lethe
    seemed to have grown into a monster.  The youth’s “unruly, obnoxious, intolerable” behavior not only
    threatened the Doctor’s sense of order and stability but Lethe was becoming a nemesis to his father’s
    lofty ideal of family happiness.  While the Doctor meticulously prepared to have his family ready for
    church by nine-fifteen on Sunday mornings, now it was becoming a habit of Lethe’s to linger in his
    bedroom, waiting until the last minute to get dressed.  As the gray Oldsmobile sat in the driveway with
    the engine running, the Doctor rang the doorbell several times.  Still without his tie on, Lethe came to the
    door.

               “Put on your shoes and get in the car.”

               No answer.

               “PUT-ON-YOUR-SHOES.”

               No answer.

               “GET-IN-THE-CAR-NOW.”

    Finally Lethe grabbed his coat, slipped on his shoes and hurried to the car.



    The Doctor calls his son through the intercom

    The intercom system of their house, built in the 1980’s, was semi-functional, capturing only traces of the
    human voice, and transmitting static and incoherent echoes into the serpentine hollows and voids of the
    interconnecting circuitry.  Because the members of the Bashar family gravitated to their own isolated
    parts of the house, dinner being the exception when they all met together in one room, speaking through
    the intercom system became the standard mode of communication.  One member of the family often
    demanded the presence of another member in their part of the house, and no matter what the speaker’s
    mood, once words were catapulted through the cacophony of the intercom system, the result always felt
    like a babble of anger and resentment.

    Lethe could barely make out his father’s words through the intercom system.  But at nine o’clock every
    night he was expected to meet his father in the pinewood study for their reading hour.  Lethe had grown
    to despise reading with his father.  He was too old to be reading out loud.  Next year he would be a
    freshman in high school.  The last time his friends read to their parents was in the second grade.  Lethe
    began to suspect something was wrong with him.  He grew self-conscious reading out loud with his
    father every night.

    For the Doctor’s part, he cherished the time he spent with his son in the evenings.  It was a father’s job to
    broaden his son’s horizons, and what better way than reading Classical Literature?  Of course, there
    was a selfish motive too, why he wanted to read with his son.  This was the nostalgia Lethe’s father had
    for certain books, which reminded the Doctor of his own childhood and adolescence.  And there was
    another reason.  A father and a son had a duty to bond with each other—reading together provided the
    perfect opportunity.  Sometimes, during their reading hour, the Doctor took a moment to instruct his son
    on beliefs and principles that were dear to him.  

    “Do you know the definition of the word, ‘kin’?”

    “No,” his son answered wearily.  “Can we be done for tonight?”

    “Not yet.  I want to tell you something before you go to sleep.”

    “What?”

    “I want to tell you about the meaning of the word ‘kin’.”

    Lethe stared blankly at his father.  “I’m tired.  I want to go to bed.”

    “It means . . . . blood relation.  A family sticks together no matter what.  It’s different from your
    relationships to your friends at school and to your teachers and other adults.  ‘Kin’ are the people who
    are related to you through blood.  Like your aunts and uncles, Grandma and Grandpa.  Your Sister and
    me.”

    “And Mom?”

    “Yes.  And your mother.  Because family is a bond you can’t ignore.  It’s very hard to separate from the
    family.  If you do it leaves scars.  Permanent scars.  Lethe, are you listening to me?  As a family we’re
    dependent upon each other.  We help each other out.  That’s what ‘kin’ means:  we’re ‘blood’.  
    Understand?”

    “I think so.”



    An extended family problem

    In the middle of the afternoon and then later, the telephone rang, both times an older man with a raspy
    voice asking for Rose’s husband.  Rose told the older man that her husband wasn’t home and that he
    should call back after six o’clock.  The second time the man called he identified himself as Uncle
    Japhed, the Doctor’s great uncle.  He told Rose that he had not spoken to his nephew for over three
    years, and he was planning to visit him.  Rose was silent.

    “Hello?  Hello?”  The older man crowed.  

    Expressing some hesitancy, Rose mentioned that she would have to talk to her husband.  

    “What was there to talk about?” Uncle Japhed wanted to know.  Finally had come the time, the great
    uncle declared, when Salem’s parents in Iraq wanted to reconcile with their son, and the rest of the
    family, those living in Massachusetts, also wanted to show their “happy love” toward the married couple.  
    “The whole family—plans to be there next weekend.”

    For the rest of the day, Rose painted furiously in her art studio.

    When her husband came home later that evening, she told him about the unexpected calls from Uncle
    Japhed.  An aura of happiness appeared on the Doctor’s brow.  He hadn’t spoken to his aunts and
    uncles in years.  

    “Did he leave his number?”  

    “Before you call him back, Salem—we need to talk.”

    “Talk about what?”

    “About your family coming to visit.”

    “Did they say they were coming to visit?”  

    “Yes.”

    “That’s wonderful.  I’ll call him right away.”

    “They can’t stay at our house.”  

    “What do you mean?  We have a guestroom, don’t we?”

    “I don’t want them in my house.”  Rose declared.

    “But they’re family—”

    “I’m family.  The kids are family.  In America, people stay in hotels when they come to visit.  It’s ‘low class’
    to have all your two dozen relatives stay at your house.  Nobody does that except poor people!”

    He heard her talk like this before; it was a preoccupation of hers to be seen as “low class”.  But that had
    nothing to do with his family.  His family in Iraq was wealthy.  It was her family who had lived in poverty for
    most of their lives.  

    “What’s the point of a guestroom if we’re not going to use it?”

    “It’s occupied.  I’m using the guestroom for my artwork.”

    “But you have your own ‘art studio’.”

    “Yes but I keep extra canvasses in the guestroom.  It’s storage space.  I already told you, Salem, nobody
    is staying in my house.”

    Was it wrong to want to see his mother and father?  His wife stirred up feelings of guilt, she was good at
    that.  He felt ashamed to invite his relatives to his house because he couldn’t provide them with the
    traditional Middle Eastern hospitality.  He wanted his house to be open to everyone, friends, relatives,
    acquaintances, because that’s how it was in Iraq.  But his wife wouldn’t let him.  She put restrictions on
    him.  He had to conform to her rules, which meant losing parts of his identity.  



    Rose unveils the Reverend’s Portrait

    For the night of the unveiling, the Doctor hired a private chef and two waiters.  The chef would prepare
    garlic mashed potatoes and rosemary braised lamb shank with mint jelly on the side.

    During the day, the housekeepers were busy bringing fresh flowers into the house, preparing trays of
    assorted cheeses and arranging other fine delicacies from gourmet food shops.  Rose too was busy as
    she traveled into the city to get her hair done at her favorite salon, where she told Eduardo, her stylist,
    that she wanted “something a little more artsy done to her hair.”  Eduardo said he had an idea in mind
    and shaved Rose’s entire head except for a wave of hair that fell over her forehead.  To add to her
    artistic look for the evening Rose put one long dangling silver earring in her right ear, and just a stud in
    her left.

    As Rose prepared herself in the marble bathroom, Little Mazzy sat on the rim of the oversized Jacuzzi.  
    Rose’s daughter had Eskimo eyes and cropped jet-black hair.  She was a very tiny little girl, and her
    mother’s bathroom was like a palace.  The bright lights and mirrors, the plants hanging from high places,
    the powders and perfumes pumped into the air, produced a fairy-tale-like effect in the child’s mind.  She
    loved to sit and watch her mother try on different outfits, and fuss in her grown-up way over which
    necklace to wear with which dress.  Once Rose had even shown her daughter how to use a lip-liner and
    an eyebrow pencil.  

    To the little girl, the enormous closet in Rose’s bathroom was forbidden world.  Her mother told her never
    to go inside because the dresses were so expensive and she didn’t want them to get damaged.  But the
    shiny fabrics and hundreds of pairs of shoes called out to Little Mazzy during the day, especially when
    her mother was painting, tempting the little girl to sneak into her mother’s closet and stuff herself in
    between the garments.  She inhaled the heady perfumes clinging to the wardrobe in the dark.

    Rose plucked her eyebrows with meticulous care.  She glanced up at the mirror four or five times every
    thirty seconds.  But then it seemed Rose had made a mistake.  She had plucked too much—there was a
    loss of symmetry.  Mazzy watched her mother become fretful.  

    “What wrong?”  Her daughter asked.

    “I’ve plucked too many eyebrows, sweetie.”  Rose said taking a deep breath and moving away from the
    mirror.

    “Never do that.  Never pluck too many eyebrows.  You’ll look sick, diseased.  Like a cancer patient.”

    “Where mommy?  I don’t see anything.”

    “Yes, sweetie.  Just look.  Look at my face.  It’s obvious.  I look horrible now.”

    This could only be expected.  Because no matter how much attention Rose devoted to her physical
    appearance, there would always be something that would show itself at the last moment, confounding
    her.  For example, if her makeup was done perfectly, then she’d notice a chip in her nail polish.  Or if her
    nails were done perfectly, then she’d find a flaw in her hair.  She could never get everything perfect at the
    same time.

    This was just how Rose felt right before the Reverend and his wife came over to her house.  Before
    having company, she always became extremely nervous.  Hosting dinner parties was nerve-wracking to
    Rose.  She worried about her clean house.  She worried about her hired help.  And when the guests
    arrived, she was thinking about their hands and how they might have touched the walls, their glasses and
    how they were placed precariously on the edges of tables, their shoes and how they were spreading dirt
    on her white carpet.

    When the Reverend arrived, a cloud of tear-jerking perfume, Poison, followed Rose from the bathroom
    into the lighted hallway, and then, at once, the Doctor appeared.  As the Reverend introduced his family,
    Rose caught a sour look from his wife who was wearing a gaudy dress which she did not find very
    tasteful.  The Reverend’s daughter was a facsimile of her mother with a long brooding face.

    The much-awaited painting sat in the living room with a satin sheet covering it.  The spotless, white room
    held an aura of suspense and mystery partly as an effect of this crimson veil and partly as an effect of the
    immaculate state of Rose’s house in general.  The Doctor and the Reverend sauntered down the long
    marble hallway, commenting on what an exciting occasion this was for everyone, while Rose took the
    ladies for a quick tour of the house.  

    Over dinner Frances told the story of how she met the Reverend at Wheaton Christian College, when
    both of them were studying theology and “looking to strengthen their faith in marriage.”  The Doctor’s
    thoughts, however, strayed to the painting in the other room.  He couldn’t seem to keep his mind on the
    dinner table.  He wanted this occasion to be special for his wife, but for some reason he was getting the
    impression that things might not go as planned.

    Though well-intentioned, Frances had a nervous habit of prattling on about her husband.  She heaped
    praise after praise onto him, as if unknowingly.  The praise was so abundant that Rose thought she too
    should say something nice about the Reverend, if only to keep things on an even keel.  Rose recalled
    how after a day of modeling he got up from the armchair and walked around to the front of the canvas.  
    Surprised to see himself in the painting, he chuckled out loud, “Yes, that’s me, I suppose.”  Then he
    became quiet all of a sudden, pensive.  She told this story to the table, but the Reverend’s wife and
    daughter did not seem interested.

    After dinner, the waiters brought out lemon-tarts on white doilies.  The Doctor glanced into the adjoining
    room and saw a corner of the crimson sheet and nothing else.  The Reverend’s daughter sipped her
    coffee.  The Reverend seemed satisfied with his meal.  At last, Rose ushered the party into the living
    room as the Doctor made the joke, “drum-roll please.”  

    The Reverend walked forward into the center of the room.  His wife and daughter hung on the periphery.

    Rose pulled off the satin sheet and awaited the first words of affirmation.  Mother and daughter narrowed
    their tiny pupils simultaneously.

               “It’s . . . gothic.”  The Reverend’s daughter blurted out.

               “I’m not very fond of it.”  The Reverend’s wife rejoined.

    In that moment, Rose knew that her portrait of the Reverend would never hang in the Christ Church of
    Barclay Park.  There was glint of pain in Rose’s eyes, receding into her distracted glare.  Then Frances
    said dryly that they could not accept the painting.  Her husband looked too stern, too serious.  The
    painting bore no resemblance to the Reverend whatsoever.  






    “There are two parents in this house.”

    After the night of the unveiling, Rose stopped going to church with her husband.  Now she stayed home
    on Sundays and painted in her art studio.  And it was not long before young Lethe also refused to go to
    church.

    The grey Oldsmobile was parked in the driveway, the engine humming with steady agitation, as the
    Doctor pressed the doorbell.

    From his bedroom, Lethe could hear the chime.  Rose rushed to the front door.  

    The door opened, the Doctor’s booming voice came in, a freight of sound traveling throughout the house
    all at once, “IT’S NINE-TWENTY FIVE.  WE’RE GOING TO BE LATE AGAIN.  I TOLD HIM THE LAST
    TIME THAT IF HE DIDN’T—”

    “He’s not going to church today.”  Rose said.

    “What are you talking about?”

    “Lethe is not going to church.”

    “He doesn’t have a choice—”

    “I’m a Jew, Salem.  Remember?  Which means if Lethe wants to be a Jew, he can go to temple instead.”

    “Don’t start this nonsense with me again!  I told him if he wasn’t ready by nine-fifteen, I’d ground him for
    the entire month.”

    “Stop yelling at me.  He doesn’t have to go to church.  He’s old enough to decide.  Leave him alone.”

    Marrying an American woman, he had only been asking for this sort of thing.  When his mother and father
    heard about Rose, they threatened to never speak to him again.  (1) Jewish (2) Divorced (3) With a child
    from a previous marriage.  These were three big strikes.  But the Doctor married Rose anyway.  He didn’
    t want to marry a woman from his own country.  He had been attracted to Rose precisely because she
    was independent and strong-willed.  But lately her strong will was getting in the way of their marriage.  
    Everything between them was turning into a battle.  Frustrated, the Doctor stepped back from the
    doorway and got into the grey Oldsmobile without his son.  Little Mazzy was sitting in the backseat with
    her hands in her lap, like a stone effigy.

    Lethe had heard the whole argument from the hallway.  The youth usually hid in some corner of the house
    to listen to his parents feuding.  The aggravated, rising tension in their voices drew his attention like steel
    fillings to a magnet.  He liked to spy on his parents.  

    Rose found her son crouched beside the wall.  “What are you doing?”

    “Nothing.”

    “There are two parents in this house.  Don’t you forget that.”

    “So I don’t have to go to church anymore?”

    Instead of tie and jacket, Lethe threw on a pair of extra-large sweatpants.  He followed his mother down
    into her art studio.  “You can watch me paint if you want,” she said.  

    The paint-bespattered radio was tuned to the voice of Garrison Keillor.  The room was cluttered with
    canvases and slats of mirror-glass leaning against the walls.  Rose had already begun another painting.  
    The Reverend’s portrait was in the closet.



    Church attendance drops

    Under the Doctor’s stern and demanding exterior, he too was beginning to question the weekly ritual of
    church-going.  As a child he had attended a Jesuit high school.  In Iraq, religion was interwoven into the
    social and public life.  Nobody had given him a choice of what religion to follow as his wife was
    suggesting they do for Lethe.  The whole family went to Church because it was a fundamental part of life.

    The Christ Church of Barclay Park had its charms; the friendly atmosphere; the service; the sermons; the
    people; of course, the Reverend.  And in a sense the Doctor was carrying on the tradition of church-
    going from back home.  His desperate need for his wife to attend church and become a Christian was
    not something he reflected on very much.  When Rose told him that Lethe did not have to go to church
    anymore, the Doctor was silent for several days.  Night after night, he tried to figure out how this situation
    could have arisen.  

    And then the strangest thing happened.  One or two weeks out of the month, the Doctor began skipping
    church service.  It almost felt like he was twelve years old and playing hooky.   Especially because the
    Church Elders had been calling him for months.  They wanted to know when he was ready to become a
    Church Elder.  But the Doctor had observed these church-fellows on Sundays, how they stood by the
    pews like robots, directing the congregation and handing out programs mechanically.  They had
    hunched, smallish shoulders and a morbid seriousness about them.  

    The Doctor never had the “belief in Christ” that the Church Elders were always talking about.  He simply
    enjoyed the ritual of going to Church once a week; it reminded him of back home.  When it came to
    doctrine, he recoiled.