The Art Instinct: Beauty, Pleasure and Human Evolution, by Dennis Dutton, Oxford University Press 2009. A review by David Maclagan.

In the early half of the eighteen hundreds the French Neo-Classical painter Ingres sneeringly described the younger Romantic painter Delacroix as “a disciple of ugliness”. A century later the French novelist Jean Genet claimed that “Ugliness is Beauty at rest.” Between these two events stretches the Romantic revolution in art.

I always enjoyed the story of how Ludwig Wittgenstein, after delivering a four-hour lecture to his class in Cambridge on the intricacies of some logical problem, would then go to a movie in town (his favorite genre was the American Western) and sit in the front row, letting the images inundate his overheated brain.

Robert Rauschenberg, Untitled, 1955 In 1953 Robert Rauschenberg, a young, little known artist, took a box of erasers and set to rubbing out a densely layered drawing by Willem de Kooning, the king of Abstract Expressionism, and he did it with the Master’s permission. Rauschenberg has said that he was “trying to find a way [...]

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