David Maisel’s large-scaled, otherworldly photographs chronicle the complex relationships between natural systems and human intervention, piecing together the fractured logic that informs them both.
History’s Shadow comprises my series of re-photographed x-rays of art objects from antiquity. I have culled these x-rays from museum archives, which utilize them for conservation purposes. Through the x-ray process, the artworks of origin become de-familiarized and de-contextualized, yet acutely alive and renewed.
My work as a visual artist concerns the dual processes of memory and excavation, and History’s Shadowprovides for the continuation and expansion of these intertwined themes. During a residency at the Getty Research Institute in 2007, I began to explore the idea of images that were created in the processes of art preservation, where the realms of art and scientific research overlap each other. While photographing the Getty Museum’s conservation departments, I became captivated by x-rays of art objects from the museum’s permanent collections. The ghostly images of these x-rays seem to surpass the power of the original objects of art. These spectral renderings seemed like transmissions from the distant past, conveying messages across time.