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I trace the origin of my search
Back to the Romanian artist named Iarcas
Because it was his painting that initiated
My iconographic amazement:
The Virgin’s large round eyes,
Her tilted head and serious face,
Her tall forehead bent forward
Into the light of heaven.
She appeared in my dreams and then
I returned to the gallery to stand before her in awe.
Her face spoke to me in no ordinary way,
I was captive to some potent image beyond the painting
itself,
Some magical alchemy worked behind that Madonna,
And I returned week after week to gaze
At the perfect picture with my imperfect eyes
Yearning and yearning in the cool shaft
Of God’s gimmick, man’s obsession over image,
Which is only half-real, the other half—
Lie.
CRA
11/3/2005